The Wire is the greatest TV show ever to have been aired. It’s brilliantly dark, socially conscious crime fiction that’s truer to life than most journalism. But what I love most about it is not the incredible characters, the plotlines, or its moral compass: it’s the dialogue.
It fizzles and crackles with electric wit, full of bizarre and charming colloquialisms, intrigue and awareness flowing out of every syllable. Comparisons with other TV shows fall flat: I’d put it alongside Shakespeare.
Like many great playwrights, the writers hang their dialogue onto themes and messages which run throughout the show. Sometimes it can be accidental: one character, while talking about something completely different, sums up the entire premise of the final series in its very first scene: “The bigger the lie, the more they believe.” – Bunk Moreland.
More often it is carefully measured, but equally apt: after spending a day with a detective in mid-town suburbia, a homeless man called Bubbles sums up the divide between rich and poor America in one line: “Thin line ‘tween heaven and here.” – Bubbles. Beautiful.
But how does this apply to your songwriting? The Wire’s dialogue maintains one crucial rule which all songwriters would do well to pay attention to: never does poetry compromise the reality of the show. At no point does Bunk Moreland speak in Iambic Pentameter. At no point does Bubbles wander lonely as a cloud. Every character speaks as they normally would, and the metaphors appear either through deliberately placed accidents or through the perfectly timed use of their colloquialisms.
The most common problem with amateur songwriters is that they feel they have to be a Romantic poet in order to reach a deeper truth. Unfortunately, they aren’t. You need an incredible grasp of the English language, a sensibility which allows you to see the exquisite beauty in daffodils, plenty of patience and plenty more opiates.
But you already have an incredible vault of words and wisdom to dig in to: your language, the way you explain the world, the accrued phrases that help you make sense of life. The Wire is successful because the lines stay true to its characters: if your lyrics stay true to your character, you won’t need the opiates.